[code] [installation] [electronic] [acoustic]
[upcoming] [previous] [press]
[bio/resume] [links]

• Wappen Field at Culture Lab :: (March 7 through April 28, 2024 in Long Island City, New York)

  Show title: Behind the Mask: The Art of Women Welders
  Full announcement.

• Locale S3 -- Pure Audio Sound Sculpture commissioned by Harvestworks 2023 Artist Residencies :: (September through October, 2023 on Governors Island, New York)

• Wappen Field at The New Media Gallery :: (September through December, 2017 in New Westminster, Vancouver / Canada)

  Show title: Voicings

• New York City Electroacoustic Music Festival (NYCEMF) :: (June 5-7, 2016 @ National Sawdust, June 13-19, 2016 @ Abrons Arts Center)

  NYCEMF 2016 Program Book

  
  
• Video archive project: Sylvia Pengilly :: (June 2016 on Vimeo)
  
  
  
• Creative Tech Week panel presentation @ Clemente Center :: (May 7th, 2016 in NYC)

  Conversations with Electroacoustic Composers
  
  We will present NYCEMF.org. For my part, I will demonstrate a new app for synchronizing distributed media performances.
  I will be joined by Margaret Schedel, Maja Cerar, Doug Geers and Izzy Ramkissoon.

• Wappen Field at Morlan Gallery :: (September/October 2015 in Lexington, Kentucky)

  "Home and Field" -- Presented with work by Stevie Morrison.

  
  
• New York City Electroacoustic Music Festival (NYCEMF) :: (June 21-28, 2015 at Abrons Arts Center in NYC)

  Full Program including performances, installations and presentations.

  
  
• Presenting... Peter Beyls on "Hybrid Approaches to Aesthetic Computing".

  Collaboration with Harvestworks, NYCEMS (2013-2017), NYC SuperCollider.

• Present extensions for Open Sound Control at Computer Music Meetup :: (September 10, 2014 in San Francisco)

  Invited to a panel and open discussion of algorithmic programming languages including Max/MSP, Pd, Chuck, SuperCollider.
  Contributed a proposal for the future development of Open Sound Control (OSC).

  
  
• Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network :: (September in Athens, Greece)

  Co-authored with Nathan Bowen. Presented at ICMC 2014.
  
  See here for more details about Ubiquitous Instruments.
  
  We propose a category of mobile phone musical instrument called "ubiquitous instrument". We present a conceptual framework that identifies ubiquitous instruments as a cultural site for popular and professional performance practice. Elements of this framework depend upon community involvement to standardize instrument profiles and inter-instrument communication shared across the network. We suggest OSC as the foundation for this network standard and propose definitions for the range and use of "musical objects". We present 4Quarters, a collaborative music performance system driven by mobile phones, which approximates the ideal of ubiquitous instruments and demonstrates the use of musical objects.

  
  
• And Death Shall Have No Dominion: a participatory singing event for a synchronized headphone choir :: (June 21, 2014 in New York City)

  Chris Welsh and I developed the iPhone app that enables this mobile choral performance by Pete Wyer.
  See the video.
  Presented by Make Music New York .
  
  

  
  
• New York City Electroacoustic Music Festival (NYCEMF) :: (June 2-8, 2014 at Abrons Arts Center in NYC)

  Executive Steering Committee roles included: curation, communications, installation logistics, catering, audio engineering (16-channel theater).
  
  Full Program including performances, installations and presentations.
  
  

  Over 200 composers from around the world -- 3 venues hosting 5 to 6 concerts each day

  Playhouse Theater with 8-channel audio, Underground Theater with 6-channels, Experimental Theater with 16-channels

  Pure electroacoustic works and hybrid combinations including dance, live musicians and video

  Installation art

  Late night concerts

  Workshops on eMotion

  Dance works by Palindrome including Motion Composer technology

  Experts of electronic music from around the world
  Reception for NYCEMF Composers and their Friends
  Harvestworks
  596 Broadway #602 / 10012
  June 1st, 2014 @ 6p

• Inaugural meeting for New York City Electroacoustic Music Society (NYCEMS, 2013-2017) :: (December 2013 in New York City)
  
  
• Wappen Field at Beall Center for Art+Technology :: (October 2013 through January 2014 in Southern California)

  Wappen Field will be presented in "Sight & Sound" at the Beall Center for Art+Technology, opening October 2013.
  The sonic palette of Wappen Field has been recently expanded and now runs about 20 minutes.
  
  In addition to Michelle Jaffé, the show features Paul Demarinis, Lewis deSoto, George Legrady and Ed Osborn.

• Presentation: Works by Michelle Jaffé :: (February in New York)

  Michelle Jaffé will present her scultpure and sound works.
  In this context, I present a brief overview of how I use SuperCollider to implement sound diffusion and the composition of voices in her work Wappen Field.
  
  Sponsored by LISA: Leaders In Software and Art at Harvestworks.

• Multi-Channel Sound Workshop :: (January in New York)

  Sponsored by NYC SuperCollider at Harvestworks.

• "Aperture on a Virtual Field" by Douglas Crase :: (December 2012 in NYC)

  __Download the PDF__
  
  Published in A Public Space, Winter No. 17, 2012, p. 68-79.
  By permission of Douglas Crase c/o Writers' Representatives.

• Lecture/demo: Using SuperCollider to forge the sound architecture of Wappen Field :: (October in New York)

  (View presentation materials.)
  
  Sponsored by Volumetric Society at Harvestworks.

• Wappen Field at BOSI Contemporary :: (July/August in New York)

  Press release from BOSI Contemporary.

• Wappen Field at Bushwick Open Studios and Queens Art Express :: (June in Brooklyn/Queens, New York)

• Eyebeam Sound Summit :: (April in New York)

  Presented high-level Open Sound Control interface enabling artists, automated tools and interactive interfaces to signal sound and other events across a local area network.

• Wappen Field at Artprize :: (September in Grand Rapids, Michigan)
  
  
• Dansemuse installation at Reed College Centennial :: (June in Portland, Oregon)

[code] [installation] [electronic] [acoustic]
[upcoming] [previous] [press]
[bio/resume] [links]