Dateline France--Report 20 28 May 1990 This report covers our trip to Italy, where I attended the Extending Database Technology conference in Venice. We took the kids out of school to go, which was no big deal for Sarah, and meant mounds of homework for Luke on return, rather than the usual piles. We went down by overnight train, getting couchettes for everyone. (If you ever plan to do a lot of train travel in France with a child, look into a Carte Kiwi, which gives 50% off the fares of up to 4 adults traveling with the child. Or Sarah would probably be glad to go along for the ride, if you split the savings with her.) We woke up north of Pisa, and saw miles and miles of marble dealers along the tracks. Catching glimpses of the stations as we passed through, I think this was around the cities of Sotto Passagio, Uschita and Binario. We stopped in Pisa to change trains to Florence, where we three days. We stayed in the pensione where some scenes of "A Room with a View" were filmed. We had a spiral staircase down to our bathroom. We didn't get the room with the view. Kaye has lived in Florence at several times in her past, hence could get us virtually anywhere without a map. We started at the Uffizi gallery, which we had skipped the last time we were in Florence because of a "work to rules" action in which the guards were only letting something like 160 people be in the whole museum. This seemed to be school vacation time in Italy, and there were lots of school groups in the museum. A group of teenage Italian girls made an big fuss over Sarah, talking to her in both English and French. They seemed attracted by her blond hair and fair skin. (Both our kids got many pats and strokes on the head while in Italy. Dave DeWitt's daughter Lizzy, who is also blond, had similar experiences. But the Italians just seemed in general friendly towards kids than the (northern) French.) I liked all the Boticelli's, including the recently restored "Venus on the Half-Shell." The museum seems to have been doing a lot of restoration work, and had paintings labeled with the date of the most recent restoration. (There was also a small exhibit at the entrance to the museum about a recently restored painting on display, showing how they had used various scientific techniques to discover the original figures under previous restoration work.) Luke was interested in various paintings of Medusa we saw. That night we made a trip to Vivoli's for gelato (Italian ice cream). About 40 flavors, including probably 5 or 6 variations on chocolate: mousse, white chocolate, dark chocolate, chocolate amaretto, chocolate mint, and so on. It's very rich, so you eat it from tiny cups. Even so, it's perfectly acceptable to ask for two or three flavors in your cup. (In fact, the guy behind the counter looked at me weird when I just wanted one flavor.) Vivoli's is our nomination for the world's best ice cream. (Although any Parisian will dispute this, claiming Berthillon has that distinction, but Kaye has tried both and says it's no contest.) For breakfasts, we usually took the kids to a bar. Bars in Italy have a much different ambiance than French ones. Bars in Italy are much more a family place. Most of them have a good selection of pastries in the morning, which are reasonably priced if you stand to eat them. In the afternoon, you get all kinds of wonderful sandwiches at them. Next stop was the Or S. Michele, a square church with an ornately carved altar. Like many churches in Italy, there is a box you can plug money into in order to get more lighting on the altar and ceiling. This church was built by a guild, and the upper floors served as a granary. Around the outside are statues by many different sculptors, the results of a competition during the construction. From there we went to see the Medici tombs. The Medici coat of arms is plastered everywhere in Florence; they having footed the bill for many of the palaces, cloisters and churches there. It consists of balls on a plain background, and exists in 6, 7 and 8 ball versions (more balls added by later generations?). Also, after the Medicis married into the French royal family, the topmost ball became blue with three gold Fleur-de-Lys on it. The tombs are entered through the crypt. There are two main rooms. One is an enormous chapel with marble and other stone covering just about every surface. I was awed by this room. A lot of fancy stone inlay work that reminded me of the floors of the cathedrals in Malta. (This is likely not a coincidence: The Knights of Malta sent local artisans to Italy to be trained.) The room is roughly square, with a huge tomb set into each wall. The second room is smaller. This is the room where you are supposed to be awed, because of the statuary by Michaelangelo on the tombs. But I am not swayed. These figures in these particular statues seemed ill-proportioned and contorted to me. Of course, you can't be in Florence and not see the Duomo--the cathedral of St. Maria de (di?) Fiori. This mediaeval church is the third largest in the world, after St. Peter's in Rome (baroque) and St. Paul's in London (Gothic). Inside it seems much smaller than those two, probably because of the giant columns and proportions inside are deceiving. There is a wonderful sacristry off to one side, done completely in inlaid wood. It seemed quite dark inside by comparison to other churches we visited, the windows being small. (Generally, I found that most Italian churches had very little stained glass, unlike France, but usually more frescos.) The outside is architecturally simple, but with an elaborate pattern given by the use of green, white and red marble. One thing that is striking is what good shape the exterior is in. My guess is that the marble is more durable than the limestone used elsewhere. Adjacent the Duomo are the Campanile (bell tower) and Baptistry, both with the same exterior treatment. The dome of the baptistry is covered with wonderful mosaics inside. There is a smaller church in Florence, Santa Croce, that also has a facade of green, white and red marble. Inlaid stone jewelry is a specialty of Florence, and we spent a while in the jewelry stores on the Ponte Vecchio (old bridge) while Kaye found just the right piece. The kids had fun looking at the silver miniatures of everything you could imagine: shoes, clarinets, bicycles, even an ice cream cart with tiny silver cones. I had fun watching a push-cart vendor watering the sidewalk in front of where his cart was set up, to prevent people from sitting in front of it and blocking potential customers. We didn't visit the Palazzo Vecchio (which hold the town hall) other than to stop in for a minute and look around the courtyard. The walls of the courtyard are covered with frescos, but not in terrific shape, because of exposure to outside air. We did spend some time in the cloisters at San Marco. On the lower floor, there are paintings and architectural elements from other buildings on display. Upstairs is a simple but elegant hall with illuminated manuscripts on display. Also upstairs are the cloisters themselves, in which Fra Angelico painted frescos of biblical scenes. The Medicis supported this monastery, and Cosimo di Medici had a cell there (a little bigger than all the others, I might add). Obviously, we had to take the kids to the Academia to see Michaelangelo's David. There are also some paintings here, and a bunch of unfinished sculptures that Michaelangelo started for some Pope's tomb. (The effect of partial figures emerging from stone was used intentionally by Rodin, and I am wondering if Michaelangelo's work influenced him.) One wing of the museum with lots more sculpture was closed that day. We ran into Dave and Julie DeWitt & girls there. We knew we were going to be in town at the same time, but the meeting at the Academia was unplanned. We arranged to go to dinner together, after which we showed them how to get to Vivoli's. Sunday afternoon we hiked up the hill the church of San Miniato, from which you can get a panoramic view of the city. (Also from which you can buy liquors that the monks make. Beware of anything classified as a "digestive". The principle of them is that they taste so dreadful that anything that came before them will seem easy to stomach by comparison.) This church has ornately painted beams and a number of frescos. It was built between the 11th and 13th centuries. Right near the church, also up on the hill, is the Piazzale Michaelangelo. There is a long terrace, and in the center is a bronze reproduction of David and some of the statues from the Medici tombs. On the terrace is half of Florence, out for a Sunday walk. It seems to be the place to be if you are 17 years old. We took a different way down, which lead by some of the old city walls and a watchtower. One day we happened on a festival in the square outside the Hospital of the Innocents. This was the foundling home, and has white-on-blue terracotta medallions of babies along the outside. Many vendors were selling candy, including filbert, sunflower seed and pine nut brittles. Some had machines that made small, anise-flavored wafers by the 100's. We bought a bag of those. The other popular speciality was sandwiches made of slices of whole roast pig. I liked the sandwich, but it took Kaye about ten minutes to get them to charge us the right price. The last morning I took the kids to the History of Science Museum. We saw some of Galileo's telescopes, an enormous orrery (3 meters high) and lots of old optical instruments and thermometers. Many of the thermometers worked by have several balls of different specific gravities, which would then sink or float depending on the density of the surrounding liquid, which in turn depends on the temperature. One such thermometer was in the shape of a small animal that could be placed into the mouth of a patient. The second floor of the museum was closed. It contains exhibits on the history of medicine, among other things. Kaye saw several more places than I did. She never tires when we are travelling. Standard operating procedure in the late afternoon is for me to stay with the kids at the hotel, while Kaye goes out for a walk and scopes out a place for dinner. Many mornings she also gets up early and goes out to see the sights while one or more of the rest of us are still asleep. ----------------------------------------------------------------------- We took the train up to Venice, me sitting on a jump seat in the corridor part of the way. We took the vaporetto (steamer, literally, but actually diesel now) along the Grand Canal to our hotel. Along the way I saw a plaque for the house where Lord Byron lived. Just as we stepped off the boat, we ran into Arne and Marianne Berre. Arne's quip: "Well, I had just about given up waiting for you." They helped us take our bags to the hotel. Sarah adores Marianne, and proclaimed her as "second mom" for the week. (This did not transitively extend into "second wife" priviledges for me, however...) Kaye, Marianne and the kids did a lot of their touring together while Arne and I were at the conference. The conference itself was on another island, at the Cini Foundation, which had restored a church and monastery there. I was kept busy, teaching a tutorial, organizing one panel, and being on another. I had also been on the program committee. I visited the cathedral of San Marco, once on my own, and once with the kids. I think the cathedral contains relics of St. Mark the Evangelist, captured from some infidels. Again, no stained glass, but the windows were leaded in a pattern of close-packed circles. The windows are high up and small, making the church quite dark. Beautiful mosaics on the ceilings. I paid to see the treasury, which was largely composed of treasures stolen from Constantinople. (I think the church itself contains pieces brought from there as well.) I liked the vases carved from agate the best. There is a large golden altar screen, with the interesting side facing back from the altar. You have to pay to see that as well. It is covered with icons and precious stones, and the kids were impressed. There is a lot of colored stone used in the church, and the floors are all covered with 3-D looking patterns done in stone. One afternoon I ducked out of the conference, and we went to see the Peggy Guggenheim collection, which is a wonderful sampler of 20th century modern art. She seemed to have at least one of everything: Pollack, Arp, Brancusi, Picasso, Dali, Max Ernst (her husband for a while?), Magritte, and on and on. I spent a lot of time looking at the Joseph Cornell boxes. I was reading in the museum catalog about them. It turns out there is one more, not on display, which apparently lost a piece. Peggy tried to fix it, but Cornell disclaimed the result. One night Kaye and I managed to find a restaurant in which we had eaten 12 years earlier. It is still a lively place, and they pack you into tables however you will fit. We ended up sitting by one of the students I had for the tutorial I taught, and a sculptor from New Zealand come to Venice to refresh his idea bank. One of the charms of having a wife who is a food writer is watching her eat off of other peoples' plates. Luke ordered fish most of the time; Sarah decided gnocchi was her favorite. By the ruse of springing it on me suddenly, Kaye got me up the Campanile (bell tower) at San Marco. It is a great view. I found out there is a workmen's shack on the roof of the cathedral San Marco. The tower collapsed in 1902, but was reconstructed with the original base and bells. An engineering study shortly before the collapse revealed that the mortar had been substantially weakened by tourists pissing on it. For the want of a urinal, the tower was lost... Another family visit was to the Doges Palace. The Doge was the ruler of Venice in its heyday. Lots of ornate rooms, one containing one of the largest paintings in the world. The "Bridge of Sighs" is part of the building, connecting the justice courts with the jail. Several rooms had clocks, no two alike. Some were 24-hour clocks, but noon was never in the same place twice. One showed the current astrological sign, as well as the time. I had hoped to see the armory, but it was closed for restoration. The last day, I took the kids to an aquarium in the morning. Nothing spectacular, but we had a good time hunting for a species of fish that could make itself the same color as the gravel at the bottom of the tanks. We met up with Kaye later to see a retrospective on Andy Warhol. It was in a snooty museum that demanded that wouldn't even let Kaye take her purse through the exhibit. The kids liked some of his videos, and also mylar pillows filled with helium that covered the ceiling in one room. On the ground floor was a room full of PCs connected to optical disks on which you could call up images and explanations of Warhol's work. (Does anyone remember who it was who tried to kill him?) The next to last day in Venice, we heard news of a train strike scheduled for 9pm the next night. Our tickets were for 7pm, but we were still going to be in Italy at 9. The strike didn't affect our train, in the end. A car full of Italian high school students on the way to Paris did. They were playing tapes at top volume until past midnight, when Kaye finally complained to one of their professors. The racket started up again between 5 and 6 in the morning, with shouting and running in the corridor. I'm not sure how we were so lucky as to have our couchette right in the middle of theirs. The last event of the conference was the "Ombra Longa" or "long shadow". The name comes from the shadow of the bell tower in the square of San Marco. The idea was to have a drink in the shade at each cafe, as the shadow made its way around the square. For us, it was a stroll through Venice with musicians in period costumes. We stopped at 4 or 5 bars during the evening, trying some wine and food specialities at each. The joke was that they gave you a lot of wine at the first one, then just took you around the block to the same bar three more times. Sarah was true to the adage, "When in Rome, be a Roman Candle." She danced to the music unflaggingly the whole night, building up a substantial fan club by the end of the night. (Luke contented himself with talking software with Dennis Tsichritzis.) Observations: Sarah's new word on the trip was "disgusting", usually pronounced without the `d'. It applied to a lot of the crawly and slithery things at the fish market. As in France, one sees kissing couples everywhere. To compare styles, I would say that in France, the lips do most of the work, whereas in Italy the lips are more static and the hands move around a lot. I think the kids' favorite activity in Venice was feeding the pigeons by San Marco. You can buy bags of corn sold by old ladies there to feed them, and they are very tame, landing on your arm or head to get fed. The best activity is in the morning, when they are still a bit hungry. By late afternoon, most of them are sated, and it's harder to get a big crowd. Sarah has decided to marry a pigeon from Venice.